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This website is using a security service to protect itself from online attacks. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data. Making a whopping $78 million at the North American box office alone, Five Nights at Freddy’s is also the biggest ever domestic opening for a horror film directed by a woman. Tammi’s film follows Nia DaCosta’s 2021 Candyman reboot/sequel, which made cinema history as the first film directed by a Black woman to debut at the top of the U.S. box office, earning over $22.3 million domestic in its opening weekend.

• Tammi’s film follows Nia DaCosta’s 2021 Candyman reboot/sequel, which made cinema history as the first film directed by a Black woman to debut at the top of the U.S. box office, earning over $22.3 million domestic in its opening weekend.
• The Wind director Emma Tammi’s adaptation of the popular horror-survival video game is the biggest global opening ever for a Blumhouse film, selling $130.5 million in tickets, surpassing the 2018 reboot of Halloween, which made $91.8 million worldwide on its opening weekend.
• But with this kind of opening, Five Nights at Freddy’s looks set to join them.
• It’s also the biggest opening for a PG-13 horror film since 2001, surpassing The Mummy Returns which made $68.1 million in its first weekend (of course it did, what, were you not going to turn up for a second round of Brendan Fraser and Rachel Weisz?).
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But with this kind of opening, Five Nights at Freddy’s looks set to join them. Blumhouse is going to be toasting hard with Sodaronis this week, as the horror-loving studio celebrates its biggest global opening ever with Five Nights at Freddy’s. We understand our use of any such copyrighted material to constitute a “fair use” as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, the material on this site is distributed – without profit and for research and educational purposes – to individuals expressing an interest in its subject matter. If you wish to use copyrighted material from this site for purposes of your own that go beyond fair use, you must obtain permission from the copyright owner. The most surprising thing about these box office numbers is that Five Nights at Freddy’s isn’t just playing in cinemas, it’s also streaming on Peacock, having released on the platform simultaneously on Thursday.

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The Wind director Emma Tammi’s adaptation of the popular horror-survival video game is the biggest global opening ever for a Blumhouse film, selling $130.5 million in tickets, surpassing the 2018 reboot of Halloween, which made $91.8 million worldwide on its opening weekend. It’s also the biggest opening for a PG-13 horror film since 2001, surpassing The Mummy Returns which made $68.1 million in money coming slot its first weekend (of course it did, what, were you not going to turn up for a second round of Brendan Fraser and Rachel Weisz?). Blumhouse regularly smashes it at the U.S. box office, now with a total of 19 films to open in the number one spot. Night Shyamalan’s Split, David Gordon Green’s Halloween, and Jordan Peele’s Get Out are Blumhouse’s most successful films at the box office to date.